20-21.6.20241
1-3.10.2024
20-21.6.20241
20-21.6.20241
1-3.10.2024
Janusz Bałdyga
Performer and creator of objects, Bałdyga was born in 1954 in Lublin and studied at the Faculty of Painting of the Academy of Fine Arts in Warsaw. He graduated in 1979 with a diploma from the atelier of Prof. Stefan Gierowski. He was a member and co-founder of the artistic group Pracownia Dziekanka (1976–1981) as well as a member of Akademia Ruchu since 1979. He currently teaches at the Department of Sculpture of the Magdalena Abakanowicz University of Fine Arts in Poznań, where he runs the Performance Art Studio. He has participated in numerous exhibitions, symposia, and artistic events in Poland and abroad, including Germany, the Netherlands, Scotland, Austria, Russia, Taiwan, Switzerland, Israel, Norway, Spain, Japan, Indonesia, Ukraine, China, and the USA. He has developed his original style by consistently reducing language and means of articulation. The artist’s performance activities are built upon the body as a fundamental element, serving as both the medium and the object of his work. His practice is rooted in social, political, and philosophical contexts, yet it maintains a universal dimension of the artistic message.
Dariusz Fodczuk
A visual artist and performer, born in 1966 in Pisz. He studied at the Maria Curie-Skłodowska University in Lublin and at the University of Fine Arts in Poznań. He currently works at the Department of Media Art, Photography and Experimental Film of the Academy of Art in Szczecin. His actions refer to a sense of dignity and freedom, often taking the form of critical opposition to control in art, culture and its institutions. In his video works and installations over the years, he has taken a stand against racism and anti-Semitism. Recently, he has often addressed the theme of labor, understood as a fundamental element of the cognitive process. His works have been shown at more than 200 festivals and group exhibitions and more than 40 individual shows and exhibitions in Poland, Europe, North America, and Asia.
Edka Jarząb
A sound artist who derives her work from the practice of deep listening. Her compositions are based on field recordings, electronics, extended vocal techniques, radio waves, and various objects. She has created the soundscape for performative actions, including those at Komuna Warszawa and Sophiensæle in Berlin, as well as sound installations and radio plays. She places a strong emphasis on the physical experience of sound and reflects on perception as a relational experience. Her texts can be found in publications on sound ecology, the biopolitics of voice or public space. She was an artist-in-residence at the experimental studio WORM in Rotterdam; she is a regular contributor to the Brussels-based interdisciplinary platform Q-O2.
Jerzy Kosałka
Multimedia artist. Born in 1955 in Będzin, he graduated in painting from the State Higher School of Fine Arts in Wrocław in 1981, where he was then employed as an assistant in the studio of Professor Zbigniew Karpiński from 1983 to 1987. While working at the School, he joined the editorial team of Luxus, a student-published “psychoactive magazine.” Following the formation of the Legendary Luxus Group, he participated in the majority of its artistic actions. In 1995, he made his debut as an individual artist with the exhibition Modestly, Without Luxus at Galeria Miejska in Wrocław; he has also participated in numerous group projects. In his practice, he uses a diverse range of techniques and
media, including painting, sculpture, installation, interventions in public space, and performance. His oeuvre is described in the monograph Almost Nobody Believes, Kosałka Jerzy Lives, published in 2021 by OKiS Wrocław. In the same year, the artist began to run his own exhibition project, Galeria u Kosałki in Wrocław.
Tomasz Opania
He was born in 1970 in Gliwice. In 1994, he graduated in sculpture from the State Higher School ofFine Arts in Wrocław. In 1993, he received a scholarship from the Minister of Culture and Art, and in the following year he was awarded a scholarship from the government of the Swiss Confederation for young artists. From 1994 to 1996, he pursued further studies at the École Supérieure d’Arts Visuels (ÉSAV) in Geneva. Since 1996, he has been employed at the Eugeniusz Geppert Academy of Art and Design in Wrocław, where he currently runs the Studio of Art in Public Space. He engages in a variety of artistic practices, including sculpture, installation, performance, actions in public space, and the design and implementation of new formats of art presentation (such as “Chwilówka” and “Wrocław – Backyard Entrance”). He also uses various techniques or collaborates with professionals to build “participatory sculptures” – objects, inventions, “art tools,” machines, or other instruments that actively engage the viewer by forcing them to behave in a predetermined way. He also creates “attributes” that he uses in public appearances. He regards his works as a commentary on the current socio-political situation and the reality around him. He has had more than a dozen individual exhibitions and participated in numerous group shows in Poland and abroad.
Jarosław Słomski
Sculptor and performer, he was born in 1994 in Pyskowice and graduated in sculpture from the Academy of Art and Design in Wrocław. He uses sculptures, objects, and installations to explore the metathemes of memory, Silesian and national identity, and the individual experience of everyday life. His works often express a longing for metaphysics, which he finds in seemingly mundane situations and objects. He talks about his reality, sometimes in an ironic, sometimes in a serious manner. In
2023, he was the recipient of a scholarship from the Ministry of Culture and National Heritage. He has also participated in the following exhibitions and events:
(Non-)Presence, performance, Museum of Architecture in Wrocław;
Wrocław Off Gallery Weekend;
Entropia in situ, Muzeum w Budowie, In Situ Foundation in Sokołowsko;
Critical Mass #, Wyspa Progress Foundation, Laboratory in Gdańsk;
Don’t Look Back, Drawing Triennial, Wrocław Contemporary Museum;
Survival 20 Art Review, Bethany Hospital in Wrocław;
Ostrale O21 Biennale, Dresden.
Wiktoria Sobota
Born in 2000, a media artist searching mainly in movement – preferably free, unbridled, from within. Her most recent interest is crochet art, video art and lipstick (beautification – disgusting). She explores the unborn, welds together contrasting emotions that she transforms into her body in a broad idea of movement, and works activistically.
She has created her finding as a dancer in performances in Poznań (Pendulum (Working Stage) – Infinitude of Human Innocence; Analog Group – Try walking in my shoes), Lębork (Still Five Minutes Dance Theater – On Pleasure; The River; Taming; Experiment;), Gdynia (Musical Theater in Gdynia – Whispers of Hearts). In 2020 she was awarded in the “Art of Isolation” competition organized by the Bydgoszcz Art Center proposing her footage using movement. In the same year, she acted as the main character in the short film “Manifesto of The Living Body,” which was recognized in the Cinerama Fest competition. As a choreographer, she acted in the creation of music videos, and in 2022 she was selected through a competition to conduct a workshop at the Pendulum Dance Center on which she focused on the theme of echo, meditation.
In 2023, she received third prize in the performance review in Poznan “Tribune – performance in process” presenting a solo work, acting with movement, a voice recorder collected over several years and a handmade costume. She talked about the transition, the oviduct in which we are born and which is slowly absorbed into us. In the current year she was active with the feminist collective “Femme Brutal” in Norway (Oslo, Bergen) where she was involved in choreographic activities with Siora’s company. She is currently working on the performance “Tekkk-ło spada na Ziemię” in Poznań, directed by Monika Wińczyk.
Joanna Urbańska
Born in 2000, she is an artist working mainly in performance art, installation, and sculpture. In her practice, she explores the human nature, focusing on our social roles and diversity. Her current focus is on notions of memory, generational memory, and trauma. She is interested in pushing boundaries, starting with the assumption that a work is always meant to create new relationships, bringing the audeince closer to the artist and vice versa. She seeks to establish a natural contact with the viewer, who is always an integral part of the work. She has carried out her actions at the Labirynt Gallery in Lublin (Performance Platform Festival, 2023), the Center for Artistic Activities in Piotrków
Trybunalski (“Interactions” International Art Festival, 2023), Praça Luís de Camões in Lagos, Portugal (Festival Verão Azul, 2023, collective action) and at the KTO Theater in Krakow (“aKTOmar” performance review, 2022, 2023).
Liliana Zeic (she/her)
She is a visual artist, queer feminist, and doctor of fine arts. Her work employs video, photography, objects, and text, she also creates intermedia and performative projects based on artistic research. She was a finalist of the Forecast Forum at Haus der Kulturen der Welt in Berlin in 2017 and won the audience award in the “Views 2019: Deutsche Bank Award” competition. Her works have been shown in over 140 collective and individual exhibitions in Poland and abroad, they are also included in public collections such as the Zachęta – National Gallery of Art in Warsaw, Wrocław Contemporary Museum, and Arsenal City Gallery in Poznań. She lives in Warsaw and works at the Academy of Art and Design in Wrocław. She is represented by the lokal_30 gallery in Warsaw. She has been creating as Liliana Zeic since February 2021 (previously she was known as Liliana Piskorska).
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Paweł “Paide” Dunajko
Paweł “Paide” Dunajko is a footwork culture promoter in Poland and worldwide, publisher and event organiser. Owner of cassette labels Outlines and Guides.
Founded in 2016, Outlines explores the most interesting trends in club music with a strong emphasis on fast tempos inspired by Chicago footwork and non-obvious rhythmic structures. Outlines and Guides’ works reflect the expressive curatorial vision of the label’s owner, Pawel “Paide” Dunajko, who draws on the traditions of avant-garde, graphic and sound minimalism in his publishing practice.
As a DJ, he supported the most important representatives of Chicago Footwork: DJ Rashad, DJ Spinn, Traxman, DJ Earl; performed at Unsound festival (2016) and twice (2016, 2024) in Japan.
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Students from the Academy of Fine Arts in Szczecin
Natalia Sara Skorupa (she/her)
Born on January 18, 1999 in Szczecin, Poland. Daughter of Beata and Jerzy, she is a spciologist, filmmaker and curator by profession. In her artistic practices she focuses on all kinds of audiovisual forms in the context of sexuality and corporeality. She eagerly uses the medium of performance, in which she explores the limits of pain in the perception of art transgression and the relationship created between the viewer and the artist as an elementary concept of externalization or so-called Artistic Vivisection. She received a scholarship from the Minister of Culture and National Heritage in 2022, and her work has been recognized in Taiwan, Dubai, Singapore, Mexico, Germany, Czech Republic, Macedonia, India, Chile, Italy, Austria, Brussels, Colombia and several cities in Poland, among others.
Kacper Janowski
Visual artist, performer, student at the Academy of Art in Szczecin. The artist treats art as a form of play, continuing to explore and experiment with a variety of media. Recently, he has been particularly fascinated by the mental and physical boundaries that he himself possesses. He began using performance relatively recently, in January 2024. His artistic actions were quickly noticed, which resulted, among other things, in his participation in the Perform II Performance Festival organized by the Hive Gallery in Gdansk. He was also invited by the Performance Art Foundation to Lublin to address the current state of Europe and perform a performance action at one of the events. Thanks to his intensive activities, the artist has established cooperation with theaters in Szczecin. He also participated in the Polish-German performative project “Walls of Europe.” He is currently working on a number of projects that will soon see the light of day.
Amelia Pelc-Gonera
Lodz-based artist whose main interest for over a decade has been dance and hip-hop culture. She is a 1st year student of Media Art at the Academy of Art in Szczecin. She became interested in performance when she began her studies, where she began to look for correlations between this type of art and movement.
Krzysztof Leon Dziemaszkiewicz
Performance artist, painter and creator of objects. Born in 1963 in Lipiany, from 1982 to 2014 he lived in Sopot, where he actively participated in the artistic and cultural life of the region, starting from the period of his studies at the University of Gdańsk, through his involvement in theaters: Teatr Ekspresji, SFINKS and Teatr Patrz Mi Na Usta, to his individual performances. At present he lives and works in Berlin.
Dziemaszkiewicz has also been creating paintings and objects for many years. He works using an original technique he calls “tape art,” in which the basic tool and material is adhesive tape. Tape and the artist’s body have always been important elements in his work, so tape art has been a natural consequence and evolution in the artist’s performances.
Dziemaszkiewicz’s transgenic and transsexual work is intended to connect opposites and raise questions about the boundaries between humanity and animalism. His work taps into premonitions, instincts and emotions, and its overriding principle is sincerity. His uncompromising stance in the face of social constraints results in a unique language of artistic expression. The artist is what he wants himself and his work to be – in the name of the freedom of every human being. Dziemaszkiewicz’s art has been shown in the USA, China, France, Germany, Turkey, the Czech Republic and Canada, among others. He fully identifies himself with his work.
Barbara Gryka
Artist and performer, born in Końskowola near Puławy in 1992. From the age of 6 to 16 she danced in a folk group. She studied at the Faculty of Media Arts of the Academy of Fine Arts in Warsaw. In 2019 she graduated from Mirosław Bałka’s Studio of Spatial Activities. She lives and works in Lublin and Warsaw.
In her practice she uses performative activities, working with people who are not necessarily involved in art, which she learnt from her mother. Her favorite activity is talking, she also likes to observe the behavior and lifestyle of other people. As part of the project Architecture from the Inside she visited her neighbors in Lublin, knocking on their doors and asking to have a conversation. She is planning to continue the project and visit other modernist Polish housing estates. In the performance The Motorcycle Dance she led a group of eight men on motorcycles dancing a folk dance from Lublin.
She is the winner of numerous prizes and awards, including the Grand Prize of Hestia’s Artistic Journey (Warsaw, 2019), the Szara Kamienica Foundation Competition (Krakow, 2019), the Zagłębie Theater Prize (Sosnowiec, 2020), ICIA International Competition for Intermedia Work of Art (Krakow, 2022). She has presented her works at the Museum of Modern Art in Warsaw, the Zachęta National Gallery of Art, Manifesta 14 in Pristina, the National Gallery in Prague, the Labirynt Gallery in Lublin, the Bangkok Art and Culture Center, the Museum of Contemporary Art in Zagreb, and the Kaunas Biennial. She has had residencies at the Museum of Contemporary Art in Barcelona (MACBA), Residency Unlimited, National Museum of Contemporary Art in Athens (EMST), Plato Ostrava, Akademie Schloss Solitude, and many others.
Maciej Kryński
Performer, director, musician and visual artist born in 1996. In his artistic practice he combines stage experience with visual media. He graduated from the University of the Arts London: Central Saint Martins in Performance Design & Practice and from the Faculty of Media Art at the Academy of Fine Arts in Warsaw.
He is interested in the politics of the stage, its theatrical and performative dimensions, but also in its architectural, sculptural, and social contexts. He has created performative actions, theatre performances and installations, presenting his work in Poland and abroad as part of institutional collaborations and festivals/artistic residencies, including Wozownia Gallery in Toruń, Wrocław Off Gallery Weekend, Zawirowania Theatre in Warsaw, Light Move Festival in Łódź, Centrale Festival in Fano, Platform Theatre in London, CSM Alive Festival, Studio Theatre in London.
Robert Kuśmirowski
Performer, creator of installations, objects, photographs and drawings. Born in 1973 in Łódź, in 1998–2003 he studied at the Institute of Fine Arts of the Marie Curie-Skłodowska University in Lublin, where he graduated with a diploma in sculpture from the studio of Prof. Sławomir Mieleszka. He spent the academic year 2002–2003 at the Metal and Modeling Studio at the University Rennes 2 and at the Musée des Beaux-arts de Rennes. He is associated with the Foksal Gallery Foundation in Warsaw, Johnen Galerie in Berlin and Guido Costa Projects gallery in Turin. He is the winner of the 2011 Prize of the Minister of Culture and National Heritage in the field of visual arts, the “Polityka” Passport for 2005 and many other awards. Since 2007, he has been working at the Intermedia Department of the Institute of Fine Arts of his alma mater and at the Sammer Academy in Salzburg (2013–2014). He lives and works in Lublin.
Most of his works are based on the reconstruction or copying of old objects, documents, photographs, or rather on the creation of their delusively similar imitations. Often, they do not have a specific prototype, but only evoke the material culture of a certain time. However, their characteristic feature is utmost precision and meticulousness. In the larger installations, the artist’s passion for collecting becomes apparent – the accumulated objects make up mindboggling collections, described by Joanna Mytkowska as “baroque of excess and entropy of detail.” That is how Kuśmirowski returns to the issues of memory, history, and nostalgia that accompany the visual culture of the distant and recent past, slowly disappearing under new layers of time. This strategy accounts for the recurring vanitas theme in his oeuvre – the reconstruction of a past material culture becomes a means of addressing the issues of transiency, vanishing, and death. His performances, sometimes accompanied by music composed by the artist, are of a similar character.
Magdalena Mellin
Visual artist, performer, painter, author and poet. Born in 1984, she graduated from the Academy of Fine Arts in Gdańsk in 2015 and continued her education with a scholarship at Sabancı University in Istanbul. She also participated in the two-year program “Visual Art and Research” at the Dutch Art Institute in the Netherlands. From 2013 to 2017, she was a resident of the Artists’ Colony, where as part of the open studio formula she began her artistic collaboration with Monika Wińczyk, which continues to this day. She presented her performance project Dialogues Not/Conducted, Letters Not/Sent at the Month of Performance Art in Berlin (2015) and at the Festival of New Theater in Rzeszów (2015), among others.
She is the author of What Happens Behind This Wall, Stays Behind This Wall (2012) and Skaryfik(s)a))cja (2018). Her poetic texts have also been published on the Splesz website, in the Warsaw magazine Wakat or in the collection of manifestos entitled Death of Patriarchy. Manifestos – The Revolution is Now!
In 2018, together with Kajetan Hajkowicz and Hubert Wińczyk, she created the Un-Titled performance shown at Teatr Ósmego Dnia in Poznań as part of the “OFF: Premieres/Presentations” competition, which was continued at the Malta Festival in 2020.
Since 2021, together with Andrzej Masko, Mellin has been organizing Dying – cyclical meetings revolving around performance at Klub Farby in Poznań. In 2023, she participated in the “A-Kumulacje 2023” competition, part of the Kalisz Art Biennial, and the 19 th Biennial of Poznań.
In her practice she tries to capture the processual and physical aspect of the image in the context of experience, memory and imagination.
Jagna Nawrocka
Multimedia artist, performer, choreographer, and movement researcher born in 1996. She graduated from the Academy of Art and Design in Wrocław in 2019 and the Strzemiński Academy of Fine Arts in Lodz in 2024. She studied dance at the Academy of Physical Education in Poznań, and completed the Experimental Choreography course at the Centrum w Ruchu and the Kem School in Warsaw. Her artistic practice explores choreographic strategies through the use of camera, text, fabric, drawing, sculpture and performance. She focuses on the medium of movement scores as a tool for organizing coexistence and archiving the invisible. Involved in speculative (post)art projects, she works with somatic imagination and the formation of collective knowledge in the exchange of sensory experience. She explores queer kinship practices, manifestations of the body of desire, the voice of disobedience and gestures of love in the face of crisis. Jagna is a member of the Queer Movement Academy and co-creator of the radio program SCORE ME QUEER, broadcast on Radio Kapitał. She has performed at Komuna Warszawa, Scena Robocza Poznań, PLATO Ostrava, Floating in Berlin, Brera Academy in Milan. As a Culture Moves Europe grantee, she participated in the ATLAS residency and performed at the ImPulsTanz 2023 festival in Vienna. In 2023 she started a participatory performative project called Longing to be Long, developing a film in collaboration with the Łódź Film School.
Anna Steller
Performer, dancer and choreographer, mother of three children. Born in 1979 in Gdańsk, she began performing on stage in 1993 at the Dada von Bzdülow Theater. She has been creating performances and shows for many years. As a performer, she focuses mainly on the clarity and sincerity of her message using radical artistic solutions. She is interested in collaborating with artists with different interests and achieving a new and fresh quality through negotiation in the field of art. She has been exploring the interdisciplinary nature of dance and performance for years, trying to understand and communicate important contents and concepts to the public.
She is a member of Plenum Osób Opiekujących Się, which gathers people working in art and caring for others, with whom she won the main prize at the 7 th Gdańsk Art Biennale in 2023. She has presented her works at the Łaźnia Center for Contemporary Art in Gdańsk, Galeria Miejska in Gdańsk, the Halo Kultura Gallery in Gdynia, the Kronika Center for Contemporary Art in Bytom, the State Art Gallery in Sopot, the Arts Station Foundation in Poznań, the Grotowski Institute in Wrocław, at the Maat Festival in Lublin, Malta Festival in Poznań, “Telling the Baltic” Festival in Karlskrona, Miami Performance International Festival, FestivalL1 Contemporary Dance Festival in Budapest, “Body-Mind” festivals in Warsaw, “Four Days” and Festival of Naked Form (both in Prague) and in Berlin.
She has received numerous grants and awards, including “Dance Web” at the Impulstanz dance festival in Vienna (2003), the Visegrad Fund scholarship (2014), the Special Award of the Marshal of the Pomeranian Voivodeship for outstanding merits in the field of artistic creativity, and the Award of the Mayor of Gdańsk for Young Creators for her performance Good Girl Killer. In addition, in 2014 she received a scholarship from the Alternative Dance Academy of the Art Station Foundation in Poznań. She has twice received a grant from the Minister of Culture and “National Heritage.
Marek “Rogulus” Rogulski
Multimedia artist, sculptor, painter, performer, art theorist. Born in 1967 in Gdańsk, where he studied at the Faculty of Painting and Graphics of the State Higher School of Fine Arts from 1985 to 1990. His first documented action in public space took place in 1983. Three years later he became a member of the music group Terra Nostra, and in 1989 he joined the art group Pampers Maxi; in the following years he was active in the collectives Ziemia Mindel Wurm, Tysiąc Najjaśniejszych Słońc, OBPW, and in numerous music bands. From 1990 to 1992 he was the vice-president of the Association of Social Initiative Club – Gallery C 14; at that time he collaborated with the art group Totart and Galeria Wyspa. Since 1992, he has been running the Tysiąc Najjaśniejszych Słońc Foundation, which has had various art presentation venues and galleries (including Auto Da Fe, Spichrz 7, Spiż 7, ICS, MuesseuM). From 1992 to 1994 he was vice-president of the Otwarte Atelier Foundation, which functioned in the former municipal bathhouse in Gdańsk. Since 2017 he has been running the Institute for Cybernetics of Art and MuesseuM in Osowa, Gdańsk (“Great ArtHadron Collider”). He has developed a number of concepts that he applies to the issues of contemporary art: “Beyond Postmodernism”, “Steerage”, “New Totality”, “Epihumanism”. He currently works as an assistant professor at the Academy of Humanities and Economics in Łódź.
Artur Tajber
Intermedia artist. Born in Katowice in 1953, he studied at the Faculty of Painting, Graphics and Sculpture of the State Higher School of Fine Arts in Wrocław and at the Faculty of Painting of the Jan Matejko Academy of Fine Arts in Krakow, where he graduated in 1978 from the studio of Prof. Adam Marczyński. For 25 years (1982–2007) he was an employee of the Visual Arts Department at the Faculty of Industrial Forms of the Academy of Fine Arts in Krakow. Founder of the Interdepartmental Intermedia Studio (2001–2007) and creator of its curriculum, co-author of the so-called minimum requirements in intermedia studies, head of the Department of Intermedia at the Academy of Fine Arts in Cracow (2007–2012), first dean (for two terms) of the newly established Faculty of Intermedia (2012–2020). He is currently the head of the Art Phenomena Department and the Conceptual Art Studio at this faculty.
Tajber has been involved in action art since the mid-1970s. He co-founded the performance group KONGER (1983–1993) and the Fort Sztuki Association (and served as its president in 1996–2007). He does creative, research, educational, theoretical and organizational work in the field of performance art. He creates thematic series (e.g. ORIENT-A K CJA, OKCYDENT- A K CJA, WALK’MAN, TABLEABLE, TIMEMIT) in which he combines different media and means of expression. Some of his works after 1984 were made as site-specific projects in natural spaces (e.g. southern Poland, northern Scotland, Northern Ireland, Norway). Since the mid-1990s, the main driving force behind his performances has been the analysis of human behavior in urbanized and man-made spaces.
He has run several galleries (including gt gallery, Pryzmat) and many international art and research projects – as initiator, curator or collaborator (including: AK C JA at the BWA Gallery and Bunkier Sztuki in Krakow, Territories Nomades, the bi-weekly Fort Sztuki, TIMEMIT, MetaMuseum, Aesthetics & Bias). He has implemented two research programs funded by the National Science Center, and he is also the editor of the publishing series Metamuzeum – artyści performance o sztuce performance [Metamuseum – Performance Artists on Performance Art] (the first three volumes were published thanks to NSC funding). He has presented his oeuvre in most European countries, North, Central and South America and Asia. In 2022 he celebrated forty years of academic work, and this fall will mark the 50 th anniversary of his involvement in art.
Monika “Mona” Wińczyk
Artist and activist from Poznań, born in 1977. She works individually, in duos (Monster Hurricane Wihajster, Mellin & Wińczyk) and in other personal constellations. Her work is focused on empathy and emancipation of all beings/phenomena and widely understood nature; it is often accompanied by pain, lack of self-acceptance, generational conflict, instability, longing for worship and violence.
She was co-curator of the “Dragon odBity – 8 bitów” Festival of Performance and Sound Experiment (2011) as well as “DIE FENSTER” – Art Movements: Performance, Sound, Movement Festival (2014); she also initiated the following events: Performance Art Jam Session, MHW Recommends and Monoformance in Poznań. She took part in the following festivals and competitions: Spectra of Malingrad, CBL, Urban Observatory (Toruń), Friv (Poznań), V-Day – Days of Excluded Bodies (Poznań), NSK, Sopot Non-Fiction, Queer Fest, OFF:premieres (Poznań), ShakespeareOFF (Gdańsk), Anima Mundi #2, and in projects supporting refugees: Adopt a Vest, Homeless Gallery, Po_sąsiedzku. She has performed in productions of Ofelia_remix, Nomadka, Re_wolta, Ostatnia wieczerza, Wina Pramatki, Stoję na brzegu rzeki, Stormy protest song, and the opera Napój miłosny. She has also directed productions of mono czy stereo? and Try Walking in my Shoes; she is currently working on another play, TEKKK-Ło spada na Ziemię, whose script won the OFF:premiere competition of Teatr Ósmego Dnia.
She co-organized the “black protest” and Manifa – protests in defense of women’s rights in Poznań, as well as the Poland under Construction exhibitions. She is a member of the BVP project of the Caldodecultivo collective and the Climate Camp. In 2022–2023 she participated in Interaction in Culture, a project organized by the Zamek Cultural Center in Poznań. She collaborated with the composer Rafal Zapała on the opera Operka o mizofinii and with the band KakofoNIKT and Jacek Halas on the concert Wszystkie końce świata.
